JF Ptak Science Books Post 1981
“The most ignorant person at a reasonable charge, and with little bodily labor, may write books in philosophy, poetry, law, mathematics, and theology, without the least assistance from genius or study.” Jonathan Swift, in Gulliver’s Travels (Actually, Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of several Ships) . 1726.
I've produced the beginning of an alphabet of –Punkisms for variations of robot.machine/computer past and futures, science fiction indicators of possibility. Why should we stop at "Steampunk" when there's FuturePunk and DeadPunk and such to be had? So, please find folllowing a few possibilities, and accept them in the playful way in which they are offered–also, the very abbreviated descriptions of the science fiction works desscribed are open to interpretation. And please give this a "pass" for the over-abundance of hyphens.
ActorPunk: Walter Miller, 'The Darfsteller' (1954), human actors are replaced by robots on stage, as compared to being replaced by digital figures online. Some steps have been made with great care over the years by “perfecting” the imaging of women in magazine advertisement—in this way even the models who appear in the ad and are modified find it impossible to live up to the expectations of what their ads depict.
Anti-technologicalPunk-topia: Samuel Butler, Erewhon, (1872).
AutomatoPunk: Kurt Vonnegut, Player Piano (1955), like Brazil and 1984, but with machines.
BiologoPunk: Philip K. Dick, 'Autofac' (1955), machines find that they can reproduce themselves in a '50's iron-bio kind of way.
BrainPunk: Miles J. Breuer, 'Paradise and Iron' (1930).
ConsciousnessPunk: Philip K. Dick, Vulcan's Hammer (1960) and the development of computer consciousness. Also David Gerrold, When Harlie Was One (1972);
Frank Herbert, Destination Void (1966); Harlan Ellison, 'I Have no Mouth and I Must Scream' (1967); Robert Heinlein, The Moon is a Harsh Mistress (1966), and many others.